OSCAR SPOTLIGHT: Cyrus Neshvad on the Journey From The Red Suitcase to I Will Be Alright

From The Red Suitcase to I Will Be Alright, the Oscar-nominated filmmaker continues to explore freedom, identity and the human connections that can transcend borders Academy Award-nominated filmmaker Cyrus Neshvad returns to the Oscar conversation with I Will Be Alright, a deeply human drama about a 16-year-old Iranian refugee facing the possibility of deportation to the country she fled. The film has qualified for consideration at the 99th Academy Awards after winning Best of … Continue reading OSCAR SPOTLIGHT: Cyrus Neshvad on the Journey From The Red Suitcase to I Will Be Alright

ECHOES Review: Alex Lanipekun Delivers a Powerful, Unflinching Drama About the Scars Men Carry

★★★★★ There are films that announce their importance loudly, and there are films that trust the audience enough to let their meaning slowly take hold. Alex Lanipekun’s ECHOES belongs firmly to the latter. Oscar-qualified and featuring an exceptional British ensemble led by Ashley Walters and Leo Gregory, ECHOES is a beautifully controlled, deeply affecting examination of childhood trauma, male friendship and the damage that can remain hidden long after … Continue reading ECHOES Review: Alex Lanipekun Delivers a Powerful, Unflinching Drama About the Scars Men Carry

‘KING OF THE IRON WILL’ Puts Shakespearean Language Behind a Modern Power Struggle: Liam James Collins and Scott Vickers on Ambition, Tyranny and Making an Epic on an Independent Budget

The filmmakers behind the HollyShorts premiere discuss reinventing Shakespearean dialogue for a contemporary audience, building a medieval world inside historic Scottish castles and what happens when the man who defeats a tyrant is handed the crown. KING OF THE IRON WILL began with an ambitious proposition: tell a story about power, revenge and the consequences of overthrowing a tyrant, but do it through the language and … Continue reading ‘KING OF THE IRON WILL’ Puts Shakespearean Language Behind a Modern Power Struggle: Liam James Collins and Scott Vickers on Ambition, Tyranny and Making an Epic on an Independent Budget

‘CERTAIN THOMAS’ Writer-Director Henry K. Hwang on Algorithmic Supremacy, the Rise of “Dataism” and Why Sci-Fi Is the New Realism: “Our Future Won’t Just Be Shaped by Data, It Will Be Governed by It”

Ahead of the film’s HollyShorts Film Festival run, the filmmaker discusses building an algorithmic totalitarian world through restraint, using Thomas as a reflection of the system around him, the visual language behind The New State and the feature film now in development. Henry K. Hwang’s CERTAIN THOMAS drops audiences into a dystopian America governed by an algorithmic totalitarian regime, but rather than explaining the mechanics … Continue reading ‘CERTAIN THOMAS’ Writer-Director Henry K. Hwang on Algorithmic Supremacy, the Rise of “Dataism” and Why Sci-Fi Is the New Realism: “Our Future Won’t Just Be Shaped by Data, It Will Be Governed by It”

‘STILL LIFE’ Finds the Humanity in Grief: Kate Radcliffe, Sophie King and Sarah Roy on Bringing Baby Loss to the Screen With Honesty, Humour and Hope

The filmmakers behind the HollyShorts world premiere discuss turning a deeply personal experience of baby loss into a story that embraces both grief and laughter, creating a supportive set and why Ophelia Lovibond and Jacob Anderson were essential to the film. Kate Radcliffe’s STILL LIFE is rooted in one of life’s most devastating experiences, but the film refuses to treat grief as something that can only be … Continue reading ‘STILL LIFE’ Finds the Humanity in Grief: Kate Radcliffe, Sophie King and Sarah Roy on Bringing Baby Loss to the Screen With Honesty, Humour and Hope