OSCAR SPOTLIGHT: Director Tamás Yvan Topolánszky on Never Give Up!, the Business of Short Film and Why Words Can Outlive the People Who Speak Them
Oscar-qualified filmmaker Tamás Yvan Topolánszky talks independent financing, discovering a remarkable nine-year-old first-time actor, the economics of ambitious short filmmaking and why his latest film asks a deceptively complicated question: who really owns a message? There is a deceptively simple question at the centre of Topolánszky’s Oscar-qualified short Never Give Up!: Do words belong to the person who says them, or to the person who ultimately gives them meaning? Produced by … Continue reading OSCAR SPOTLIGHT: Director Tamás Yvan Topolánszky on Never Give Up!, the Business of Short Film and Why Words Can Outlive the People Who Speak Them
ECHOES Review: Alex Lanipekun Delivers a Powerful, Unflinching Drama About the Scars Men Carry
★★★★★ There are films that announce their importance loudly, and there are films that trust the audience enough to let their meaning slowly take hold. Alex Lanipekun’s ECHOES belongs firmly to the latter. Oscar-qualified and featuring an exceptional British ensemble led by Ashley Walters and Leo Gregory, ECHOES is a beautifully controlled, deeply affecting examination of childhood trauma, male friendship and the damage that can remain hidden long after … Continue reading ECHOES Review: Alex Lanipekun Delivers a Powerful, Unflinching Drama About the Scars Men Carry
VENICE – Saoirse Ronan’s Paper Plane — A Quiet, Tender Debut
★★★★★ (5/5) There is something wonderfully unforced about Paper Plane, Saoirse Ronan’s 15-minute directorial debut. Rather than announcing itself as the work of a celebrated actor stepping behind the camera, the film settles into its own modest rhythm: observant, tactile and quietly heartbreaking. The story follows a young girl who retreats to a treehouse in silent protest after her mother begins a new relationship with an abusive … Continue reading VENICE – Saoirse Ronan’s Paper Plane — A Quiet, Tender Debut
‘KING OF THE IRON WILL’ Puts Shakespearean Language Behind a Modern Power Struggle: Liam James Collins and Scott Vickers on Ambition, Tyranny and Making an Epic on an Independent Budget
The filmmakers behind the HollyShorts premiere discuss reinventing Shakespearean dialogue for a contemporary audience, building a medieval world inside historic Scottish castles and what happens when the man who defeats a tyrant is handed the crown. KING OF THE IRON WILL began with an ambitious proposition: tell a story about power, revenge and the consequences of overthrowing a tyrant, but do it through the language and … Continue reading ‘KING OF THE IRON WILL’ Puts Shakespearean Language Behind a Modern Power Struggle: Liam James Collins and Scott Vickers on Ambition, Tyranny and Making an Epic on an Independent Budget
‘CERTAIN THOMAS’ Writer-Director Henry K. Hwang on Algorithmic Supremacy, the Rise of “Dataism” and Why Sci-Fi Is the New Realism: “Our Future Won’t Just Be Shaped by Data, It Will Be Governed by It”
Ahead of the film’s HollyShorts Film Festival run, the filmmaker discusses building an algorithmic totalitarian world through restraint, using Thomas as a reflection of the system around him, the visual language behind The New State and the feature film now in development. Henry K. Hwang’s CERTAIN THOMAS drops audiences into a dystopian America governed by an algorithmic totalitarian regime, but rather than explaining the mechanics … Continue reading ‘CERTAIN THOMAS’ Writer-Director Henry K. Hwang on Algorithmic Supremacy, the Rise of “Dataism” and Why Sci-Fi Is the New Realism: “Our Future Won’t Just Be Shaped by Data, It Will Be Governed by It”
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