OSCAR SPOTLIGHT: FROM THE FRONTLINES OF WAR TO THE OSCARS: DIRECTOR AHMAD ALAMELDEEN’S SAFE ZONE EXPOSES THE HUMAN COST OF HUNGER AS A WEAPON

Drawing on 12 years working in some of the world’s most dangerous conflict zones, writer-director Ahmad Alameldeen delivers a powerful Oscar-qualified animated short exploring survival, humanity and the devastating consequences of using starvation as a weapon of war. For 12 years, writer-director Ahmad Alameldeen witnessed the devastating realities of war firsthand. From Iraq and Syria to Somalia, Libya and Nigeria, he worked alongside some of … Continue reading OSCAR SPOTLIGHT: FROM THE FRONTLINES OF WAR TO THE OSCARS: DIRECTOR AHMAD ALAMELDEEN’S SAFE ZONE EXPOSES THE HUMAN COST OF HUNGER AS A WEAPON

‘CERTAIN THOMAS’ Writer-Director Henry K. Hwang on Algorithmic Supremacy, the Rise of “Dataism” and Why Sci-Fi Is the New Realism: “Our Future Won’t Just Be Shaped by Data, It Will Be Governed by It”

Ahead of the film’s HollyShorts Film Festival run, the filmmaker discusses building an algorithmic totalitarian world through restraint, using Thomas as a reflection of the system around him, the visual language behind The New State and the feature film now in development. Henry K. Hwang’s CERTAIN THOMAS drops audiences into a dystopian America governed by an algorithmic totalitarian regime, but rather than explaining the mechanics … Continue reading ‘CERTAIN THOMAS’ Writer-Director Henry K. Hwang on Algorithmic Supremacy, the Rise of “Dataism” and Why Sci-Fi Is the New Realism: “Our Future Won’t Just Be Shaped by Data, It Will Be Governed by It”