Jessica J. Rowlands’ RISE is not only a monumental moment in Zimbabwean cinema—being the first film from the country selected for a premiere at the prestigious Tribeca Festival—but also a deeply moving piece of storytelling that resonates far beyond its local setting. Rooted in the true story of Tobias Mupfuti, a boxing coach who turned personal pain into collective purpose, RISE is a short film that punches far above its weight, delivering emotional gravity and thematic depth in just under 30 minutes.

RISE is a short film that punches far above its weight

At the heart of RISE is the magnetic performance of eight-year-old Sikhanyiso Ngwenya, whose raw, untrained talent evokes the quiet strength and vulnerability of a child on the brink of being lost—until he is quite literally rescued by the ring. Ngwenya’s portrayal is a revelation: deeply expressive, heartbreakingly real, and deserving of the National Arts Merit Award he earned in Zimbabwe. He embodies the spirit of so many unheard voices, and through his eyes, we witness the brutality and beauty of survival.

Opposite him, Tongayi Chirisa delivers a powerfully understated performance as the reclusive coach—a man whose own scars fuel his mission to protect others. Chirisa resists melodrama in favor of a simmering emotional presence that makes his character both mentor and mirror. The chemistry between Chirisa and Ngwenya anchors the film, offering moments of quiet tenderness and explosive tension that reflect the complex relationship between past trauma and future hope.

The chemistry between Chirisa and Ngwenya anchors the film

Rowlands’ directorial debut is marked by a sophisticated restraint. She avoids clichés and easy sentimentality, opting instead for realism, authenticity, and emotional texture. Her personal connection to Zimbabwe and to Tobias Mupfuti’s story shines through every frame—this is clearly a film made with care, collaboration, and community at its core.

Cinematographer Jacques Naudé adds another layer of artistry with his lens: sweeping, sun-drenched landscapes of Victoria Falls contrast starkly with the intimate, often claustrophobic moments inside the boxing ring and orphanage. The visual storytelling is as visceral as the narrative itself—every shot feels intentional, grounded, and emotionally alive.

Producer Joe Njagu’s involvement ensures that the film’s cultural grounding and production quality meet international standards, while never compromising its African identity. Much like his breakthrough with Cook Off, Njagu once again proves that Zimbabwean stories can—and should—be global stories.

Ultimately, RISE is a triumph—not just as a film, but as a milestone. It’s a testament to the power of representation, the importance of authentic storytelling, and the magic that happens when emerging voices are given the space to speak. With this short, Rowlands doesn’t just announce herself as a director to watch—she lays down a marker for the future of African cinema.

RISE is a triumph—not just as a film, but as a milestone. It’s a testament to the power of representation, the importance of authentic storytelling

Rating: 5/5– A powerful, poetic debut that uplifts while it unearths. Essential viewing.