Pier-Philippe Chevigny on slaughterhouses, ex-convicts, capitalism, and the humanity trapped in between Mercenaire has been quietly but steadily shaking the festival circuit, a film that leaves audiences hushed, unsettled, and morally implicated. With its suffocating realism, its claustrophobic 1:1 framing, and a hauntingly restrained performance by Marc-André Grondin, the film has positioned itself not only as a standout during Awards season, but also as one … Continue reading OSCAR CONTENDING DIRECTOR SPOTLIGHT – Pier-Philippe Chevigny on Violence, Redemption, and the Ethics of Labour in MERCENAIRE